MEMORIES MAY BE BEAUTIFUL, AND YET… Confessions of a Nostalgia addict.

nostalgia
nɒˈstaldʒə/
noun
a sentimental longing or wistful affection for a period in the past.
“I was overcome with acute nostalgia for my days at university”
synonyms: wistfulness, longing/yearning/pining for the past, regret, regretfulness, reminiscence, remembrance, recollection, homesickness, sentimentality
“there is a nostalgia for traditional values”

I have a pretty messed up relationship with Nostalgia.

I don’t just mean the ‘classic’ nostalgic ideas, like the different sweets I used to eat as a kid or Barbie memorabilia (I had some bloody great Barbie jeans) or the Spice Girls era, though all of those set off all kinds of warm, fuzzy feelings in my tummy… but I mean full blown, addicted-to-the-past, yearning to relive past moments and the ideal outcomes I used to dream about within those moments, Nostalgia. The love I felt for people, before they broke my heart. The major highs I’ve floated on in past jobs, before the contracts came to an end. The safety and security I felt living back at my family home, before I exposed myself to being an independent, self-sufficient human two hundred miles away.

I’ve found that past midnight, and before the ungodly hour of 7am, is primetime for a nostalgic episode.
I’ve spent days on end stewing over writing this essay, lost for words. The minute the clock strikes midnight, and I actually decide it’s time I try and catch some sleep, it’s like my brain kicks into overdrive and instantaneously declares ‘NOW is the time I shall reminisce! Bring on the memories, good and bad. LET ME HAVE ‘EM’. (Around about this time is the time I start to regret my decision to have a cup of tea at 10:45pm.)

Similarly, my brain likes to do this whenever I have an early rise. I’m talking about those mornings that you’ve upped and left the house before the majority of the human race has snoozed their alarm for the first time. Those mornings when the sun has barely rose, the sky is the palest of blues. You’re the first person to breathe in that day’s fresh, crisp air and it feels so uncontaminated… clean. The streets resemble that of an apocalyptic themed movie, not a single soul in sight. Deathly quiet. Peaceful.

And I feel all weirdly cosy and comforted, wrapped up in my big coat with a woolly hat and my hands tucked into my pockets. But, in the same respect, I feel on edge. Uneasy. Because I start to think about little moments in time that I’ve felt this exact feeling before. Where was I when I last felt like that? Was it when I awoke pre-5am in Sydney, Australia, for my early flight to Melbourne or when I similarly hopped out of bed at 7am to go for a brisk morning walk around Manly with my Mam and Uncle? Or was it way back when I was younger and I’d have to shoot out of bed super early to go on our annual family trip to Flamingoland? Like a usual dose of deja-vu multiplied by 100.

Visiting places I’ve frequented in the past, with particular people or at a particular eventful time in my life, brings back all the vibes too. In particular, one of the biggest triggers is Saltburn-by-the-Sea. The sea, the breeze, the sand, the ice-creams… BOOM, achey achey heart.


Music is also a massive nostalgia trigger for me. I have a strong emotional connection to music. Whenever I feel remotely emotional, I hop onto Spotify and jam out some tunes to fit whatever mood I’m in. It’s probably the one thing I’d say really feeds my soul and fills me up.
Different songs, artists, albums are all attached to memories and places and feelings. Whenever I play specific pieces of music, I am transported back into the moment I’ve connected that piece to, in the past.

For example, whenever I listen to the Lianne La Havas – Blood album, I’m instantly transported back to the time I walked through the backstreets of Kyoto, Japan. Completely alone, as it poured with rain. I remember how quiet it was but how safe I felt. Taking in the old Japanese teahouses with their lanterns hanging outside. The track Green and Gold, in particular, I find comfort in.
Any of Alabama Shakes’ stuff makes me think of coming up with lyrics whilst taking a shower. Don’t ask me why, I haven’t the foggiest idea.
The Grease Megamix running straight into Wham! – Wake Me Up Before You Go Go reminds me of making up dance routines in my living room as a kid, as they both followed each other on the compilation CD I used to play religiously.
The Fray – Over My Head (Cable Car) reminds me of the glorious MySpace era and Secondary School.

All of the above reminds me of how powerful music can be and how it has the ability to affect us emotionally. How good is music, really? It has the ability to provide relief and to heal. Why any government would want to cut Arts funding to seriously affect the production of such a powerful, healing art form, ESPECIALLY in the type of world we live in and with what’s going on today, is BEYOND me. But that’s a whole different ball game…

I’m used to taking great comfort in that warm, fuzzy feeling but lately, my thoughts have shifted. Maybe I’m a little too cozy living in memories? As a result, am I not living in the present? Am I missing new, precious moments right now by longing to be back where I was 5 years ago? Do I choose to love the past because the present has become more difficult to comprehend and deal with, when our world seems to be going through a political global crisis right now? I’m pretty damn lucky that I have such great memories that I’d want to relive all over again, I guess, but I often feel so stuck and unable to move forward and is that because I’m just so obsessed with them?

This thought actually came to head when I watched La La Land for the first time, a film that exhumes Nostalgia. The colour-grading, for one, is filled with splashes of pastel hues, there are countless beautiful sunrises and sunsets, then that edgy argument scene that tinges all of that with a feeling of dread and uncertainty. I came out of that cinema bewildered and a blubbering mess because I related that much (what a d*ckhead ey).

Then I listened to an interview from the Golden Globes (I think?), just after Emma Stone and Ryan Gosling had swiped their awards, in the press conference room. Damien Chazelle, the director, made a comment that really struck a chord.

‘Nostalgia for nostalgia’s sake is not a place to live, you should honour the past but actually find a way to push that forward, whether it’s in how you love or how you make movies or how you make any art.’

And like that, everything made sense. I just knew that the next step for me was to break out and start living in the now. So often, I’ve read quotes and had conversations about living in the present and all that jazz, but it took this for me to have the realisation of what that truly meant. To have such beautiful past events as part of my history is completely a blessing and being reminiscent and sentimental once in a while isn’t a crime. But I have now come to realise that by living in my past, and not dealing with the present, I’m taking 12 steps back and 0 forward. And that’s no way to live when life on earth is so damn short. We must continue to keep moving forward, even when shit gets hard. As the late, great Abraham Lincoln once said:

‘I walk slowly but never backward.’

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Backflips

One of the hardest things I’ve had to accept as I’ve grown older is that I’m not good at everything I do. I grew up being good at things, academically and artistically. I grew up being good at picking things up, throwing myself in at the deep end, being relatively good at everything I did.
Apart from gymnastics.
Don’t get me wrong, I was ok at it and I absolutely LOVED going to gym as a kid. I was part of Riverside Display Team, who I travelled around the country with. We competed at, and won on one occasion, the British Championships in Liverpool and we performed all over Europe, even at Disneyland Paris (which was mint FYI).
But I was always scared to take a leap of faith when it came to gymnastics. I mean, being afraid of heights in a team building things like a 21 man pyramid probably didn’t help. I was scared to try being a ‘top’ when it came to big balances. I was also weirdly afraid of going upside down whenever we performed outside. I don’t know why that was, maybe I felt like the sky was caving in on me or something.
I was limby, gawky and clumsy and on paper, not the perfect candidate for being part of a sturdy structure of human beings.
It took me 6 years to pluck up the courage to try for my first backflip, just a casual back handspring.  Once I achieved that, I never looked back. I can still do them today. In fact, I’ve showcased them at several dance calls, whenever the team have asked about anybody being able to do tricks. What’s absolutely hysterical is that, if I know people in my audition, they are always so surprised when I put my hand up to volunteer my acrobatic services.
I just mustn’t look like the backflipping type, whatever that is.
That feeling of surprising people, pulling out something completely unexpected, is actually such a funny, great feeling. It really makes me laugh, wholeheartedly.
Right now, in this moment whilst reflecting on that feeling, I’ve come to think that maybe that’s a similar feeling to the one we get when we break through a mould. When you completely abolish somebody’s idea of you, throw them off course, fuck the system and make a pigeon hole look a bit like Donald Trump… a stupid, shitty thing that spouts uneducated assumptions and complete nonsense to anybody that will listen. (That probably makes no sense to anybody but myself, apologies.)
And so when I dream of breaking the many moulds in existence, and setting all of the pigeon holes on fire, I hold onto that feeling that I get when somebody is surprised by my backflip. Sky’s the limit bitches. It’s not falling in on you, even when you feel upside down.