TIMELESS – a theatrical love affair.

On 17th July 2004, when I was just 13 years old, I wrote this diary entry to myself:

‘Dear Diary,

Went to see Hair tonight at Middlesbrough Little Theatre. Words can’t describe it. I just wish I was on that stage. When I’ve left school, I am definitely going to Stockton Riverside College to do Performing Arts. I just hope that I’ll make it to the West End. Jess, if you read this in 4 or 5 years, I hope you’ll be chuffed. ’

I remember that evening as plain as day. I’d gone along to the theatre that night and I left the theatre having decided that I was going to pursue it as a career. That trip to the theatre, alongside countless others growing up, inspired me like no other experience. For just a few hours, I could lose myself in a different story to my own. Tragic tales of star-crossed lovers and murder, hopeful searches for long-lost parents and, in this case, an insight to what being an anti-war hippy was like in the midst of the Vietnam war. I left the theatre educated in new topics, I left the theatre with new songs stuck in my head but best of all, I left the theatre dreaming. I was ambitious, I had a burning passion and I’d be damned if I didn’t see it through, if I didn’t try every single little thing I could possibly think of that would get me on that stage one day.

I was a member of both Middlesbrough Youth Theatre and Teesside Operatic Society during my school years. This provided me with so many opportunities to tread the boards of ‘The Little Theatre’, to the point where it felt like a second home. I made lifelong friendships, with both cast members and the backstage crew – they still have me in for a cuppa when I come knocking!

Middlesbrough Youth Theatre was a safe space for me to express myself, both as a young actress and a teenager. It was a familiar, warm, cosy environment where I was allowed to be myself and not feel judged for it. It was a place that I could explore new ideas and feed my creativity, but it was also a place that I could fall flat on my face and pick myself back up again, without feeling like an idiot. It was sanctuary.

I feel strongly that providing this opportunity to a child growing up, especially in today’s society, is of the utmost importance. We must continue to encourage our younger generations to be open, communicative and expressive and the theatre is an excellent opportunity for a child to do just that. I will be forever grateful for Middlesbrough Youth Theatre for allowing me to do just that and I’m a firm believer that it played a key role in shaping me into the person I am today.

Theatre as a whole is an incredibly important art-form, particularly at the moment. It provides people with the opportunity to escape the outside world for a few hours. It’s  ibuprofen – it provides relief, especially in this time of political uncertainty and societal difficulty. It brings people together, young and old. It offers a chance to put aside differences and difficulties to come together for a few hours – unified.

I grew up watching show after show at Middlesbrough Little Theatre and I am still a frequent visitor today. I love coming back to Middlesbrough and supporting our home-grown talent. I love that shows transcend the years and that shows that I once adored as a child are now loved just as much by my god-daughter, my newest theatre-date. I love that I’ve gone on to play roles professionally that I first played at Youth Theatre, like fulfilling some kind of theatrical rite of passage. I love that in a world that is constantly evolving and changing, theatre is timeless.

On the evening of my West End Debut, my first performance as a cast member of Mamma Mia!, my Dad gave me that diary entry from my 13 year old self, framed to keep. A reminder of a dream coming true. Thank you Dr Theatre, I love you!

 

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BEING STRONG & STABLE – without the kitten heels.

Good morning and a Happy New Year to y’all.

I woke up this morning with this urge to write, something I’ve not felt in quite some time.

I felt the sun on the drawn curtains, trying it’s best to break through and light up my room. I felt the energy buzzing from it; the fizzy optimism, the hope and excitement at the possibility of new adventures to come, the burning need to jump out of bed to see what the world has to offer today.

The last time I felt this feeling was probably at the beginning of 2018, on the first day of my last job. Pure adrenalin-fuelled excitement. Pure heartfelt love for my existence. Pure authenticity; clarity of what I have to offer to the world if I venture outside my front door… love, creativity, ideas, encouragement, positivity.

I felt… myself.

2018 had started well. I was about to embark on this venture that was going to be a pretty big deal for me professionally. The dream job. After a pretty sucky 2017, bar a few incredible additions to my friendship circle and the funniest ‘job’ (I say job, it didn’t feel like one) in Dubai, I was so ready for it to kick off. All of my problems would be solved: I wouldn’t be skint, I’d be originating a cracking part in a brand new production and I’d get to travel about and see new places. The dream job. Happiness, fulfilment, satisfaction… mint.

The year progressed. We travelled from city to city… Birmingham… Edinburgh… Liverpool… Cardiff… the weeks rolled on by and as they did, I began to come to the realisation of one very important thing.

I wasn’t happy.

Not in a missed the bus, left my purse at home, tripped over and banged my knee kind of way.

Something wasn’t quite right.

I was completely uninspired. I’d sit and try to write and no words would come. I didn’t want to watch anything, I wasn’t particularly interested in hunting for new music to listen to and I couldn’t focus long enough to read anything that had any level of depth.

I started to feel panicky in social situations, insecure and unworthy and shit. Like I didn’t belong, or something. I was surrounded by people, friends, but felt a familiar pang of loneliness and isolation. A lone wolf. Uncomfortable and empty.

I felt like someone had skipped along and blown my candle out.

For a long time, I didn’t want to admit to myself that I was going through a little bit of a thing – don’t really know what else to call it. I was so confused. I’d always gotten on with everyone I encountered, why didn’t people get me anymore? It felt fucking shit and it made me unbearably insecure and hyper-aware of every little thing I did.

I was aware that I was in a great job, playing a leading part amongst a very talented bunch of humans and I was STILL unhappy.


Not BECAUSE of the job but DESPITE the job (yes I’m SHOUTING, for DRAMATIC effect).


Christ, THE GUILT that ensued from the thought of all of that was horrific. Feeling guilty and ungrateful on top of feeling unhappy – not fun, let me tell you.

I put a moany tweet up during this time, about how hard weekly touring was/how knackered I was and signed it off with ‘don’t get me wrong, I love my job – I’m just knackered’ or something. A really kind person latched on to the fact that I’d done that, felt I had to justify myself, and responded with


‘You are 700000% allowed to find your job hard and feel simultaneously grateful for it, the fact other people would love your job doesn’t mean your feelings about it shouldn’t be spoken about. Such a shame you have to put a disclaimer on it otherwise people would complain.’

@EmmaLouiseBetty THANKS GAL, you made me feel a lot better about myself when I felt pretty damn shitty and goodness, are you correct!

Carrying on:

It was only when having a (paraphrased below) conversation with a cast mate late one night after a night out (big love to you V!) that I realised there was a deeper issue that I needed to address.

‘People just don’t get me, I don’t understand,’ I’d said.
‘Yeah but do you get you?’ my mate responded.
‘What do you mean?’ I replied.
‘Who is the real you? When you say people don’t get you, what is ‘you’?’ she said.

I’d thought about the response. She was absolutely right.

I was possibly having a little bit of an identity crisis and that wasn’t the show’s problem, that wasn’t my cast mates’ problem – that was my problem.

Now now now, I write this in a good space and won’t dwell upon the bad stuff for too long as it’s a processed thing of the past. The point of me writing today, with all of this in mind, is to share what I am going to do about it. I’ve already read one blog post this year, by my good pal Emma, chatting about life as a ‘resting’ actress and highlighting just what that entails – the 28348739 ordinary jobs we take on, not being paid on time sometimes (though from my Twitter feed atm, it seems it’s happening quite a lot) from work we’ve done, sacrificing the social life to work stupid hours… all that business.

I feel extremely fortunate to do what I love for a career, like… I fully love it from my head to my toes. I’m not even going to try and justify that and frankly, I don’t need to. I’m fully aware of what choosing to do this as a career entails, fully aware of the ups and downs. But it dawned on me last year, and has only become even more apparent as the months have rolled on since, that pinning my happiness on my work is no longer an option.

When my next job comes, I’ll be fine. I’ll save my money and I’ll be sensible and I’ll be happier,’ I’d said to myself, laid awake in my bed at 2am unable to sleep before having to get up at 6am for an early shift in a coffee shop. ‘It’s 2am and I’m miserable that I’m having to drag myself out of bed to get to my shift, to work 800 hours so that I can afford to live in this stupidly expensive city but have no life aside from that. But hey, when I start my new job and get out of this shit-hole, I’m going to be fine. That will amount to happiness because I won’t feel worked down to the ground.

These are the thoughts that crossed my mind in 2017. I pinned my happiness on my career, especially as I was about to embark on a really big, exciting step up to a leading role. And because HEY, a leading role equals success… right?

Oh, how different I feel now. The minute I stepped into that lovely, artistically-juicy environment once more and realised ‘OH FUCK, THIS DOES NOT FIX THE SHIT UNDER THE SURFACE THAT I’VE BEEN SWEEPING UNDER THE RUG’… I knew I had a lot of work to do.

An actor’s life can be far from stable. But alas, I have discovered… there is more to life than an actor’s life. I put too much on my work, I expect too much. I have a lot of my own insecurities to deal with that my work cannot fix and y’know, that’s cool man. That’s kind of exciting I reckon.

Now, I can hear some of ya out there shouting ‘GET THERE QUICKER SON, I found that out 10 years ago – nowt spesh!’ and if you are, humour me. I am aware that we all reach moments in life when priorities shift, perspectives change and epiphanies are had. We each have these moments when they are truly needed for us, as individuals. We’re not in some kinda race here – I say this as I sometimes need to remind myself to stop comparing one’s own journey to others.

Well, it seems that I may have reached this moment, at the ripe old age of 27 (how the F I made it to 27, I don’t know. Still life in the old gal yet!)

I’ve had the epiphany and I’m gonna shout it loud and clear, for the people in the back and just to cement it even more so in my brain:

Pinning my happiness on my work is NO LONGER AN OPTION.

My happiness can only be manifested from one thing alone – myself.

And so begins a New Year in doing what I can to ensure that if and when I happen to be out of work, I can be happy. At the risk of sounding like the kitten heel extraordinaire Terry May… I want to be strong and stable and work is not the fix for that. I’m on a quest to build me a good, solid  foundation, so that work can be my lovely kitchen extension that I enjoy spending time in on evenings with friends and I realise now, that it all starts with looking inwards.

I’m taking back the power.

Much more, with this all taken into account… I feel myself again.

15 tweets that made me feel less alone.

So I’ve not written in a while because, essentially, I’m dealing with a life thing and can’t write to share atm.
I’ve sat this evening in a pile of my own emotional shit, feeling relatively blue and giving myself a hard time about it – extremely frustrated with one’s self. Now, I’m learning to be kinder to myself when it comes to this but it’s something I’m having to learn to do and it’s a work in progress kinda thing.
So I did maybe the worst thing I could possibly do in this situation, I took to social media.
BUT. During some tough, ‘messy head’ times recently, I’ve been hugely inspired/entertained by some fantastic women. So hey, I found these tweets that I’ve spotted over the last few months and put them all in one post and I hope that if you’re out there reading this, feeling blue just like me and not sure how or what to do to get yourself out of it, aside from down a tin of G&T and gorge on some crap food whilst watching all 10 seasons of Friends, well hey… you’re not alone. There’s good people out there and hey, sometimes they feel the way you do. And they have a fuck load of faith in the Universe and you. And they’re out there, sharing their truths and guess what, you have every right to do that to.
Thanks for lifting me up when I needed it gals!
Hope I can do the same for you one day ❤️
J x
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Before you go to bed tonight, my girls…doesn’t matter who you are and what you’re like. you’ve got BDE* and that’s a fact. Don’t let ANYONE step on ya. Night. **(BDE is big dick energy)

This is a shoutout to all my ladies who muddle through work (on and off the stage) with the period pain/brain/bloat. I was wading through FOG during tonights show. My brain & body were NOT playing ball. So, Ladies, just a reminder. YOU ARE AMAZING for handling this once a month!

Backflips

One of the hardest things I’ve had to accept as I’ve grown older is that I’m not good at everything I do. I grew up being good at things, academically and artistically. I grew up being good at picking things up, throwing myself in at the deep end, being relatively good at everything I did.
Apart from gymnastics.
Don’t get me wrong, I was ok at it and I absolutely LOVED going to gym as a kid. I was part of Riverside Display Team, who I travelled around the country with. We competed at, and won on one occasion, the British Championships in Liverpool and we performed all over Europe, even at Disneyland Paris (which was mint FYI).
But I was always scared to take a leap of faith when it came to gymnastics. I mean, being afraid of heights in a team building things like a 21 man pyramid probably didn’t help. I was scared to try being a ‘top’ when it came to big balances. I was also weirdly afraid of going upside down whenever we performed outside. I don’t know why that was, maybe I felt like the sky was caving in on me or something.
I was limby, gawky and clumsy and on paper, not the perfect candidate for being part of a sturdy structure of human beings.
It took me 6 years to pluck up the courage to try for my first backflip, just a casual back handspring.  Once I achieved that, I never looked back. I can still do them today. In fact, I’ve showcased them at several dance calls, whenever the team have asked about anybody being able to do tricks. What’s absolutely hysterical is that, if I know people in my audition, they are always so surprised when I put my hand up to volunteer my acrobatic services.
I just mustn’t look like the backflipping type, whatever that is.
That feeling of surprising people, pulling out something completely unexpected, is actually such a funny, great feeling. It really makes me laugh, wholeheartedly.
Right now, in this moment whilst reflecting on that feeling, I’ve come to think that maybe that’s a similar feeling to the one we get when we break through a mould. When you completely abolish somebody’s idea of you, throw them off course, fuck the system and make a pigeon hole look a bit like Donald Trump… a stupid, shitty thing that spouts uneducated assumptions and complete nonsense to anybody that will listen. (That probably makes no sense to anybody but myself, apologies.)
And so when I dream of breaking the many moulds in existence, and setting all of the pigeon holes on fire, I hold onto that feeling that I get when somebody is surprised by my backflip. Sky’s the limit bitches. It’s not falling in on you, even when you feel upside down.

‘TRAPPED IN A GLASS CASE OF EMOTION’: What they meant when they said ‘People who need people are the luckiest people in the world.’

Yo yo, I wanna just touch on the subject of loneliness. Loneliness is something i’d felt very little of until this year. Working outside of the UK, a long way from home, certainly had it’s perks (I have literally had the best, craziest, funniest, most BRILLIANT year EVER – no exaggeration)… but it also come with a few negatives. Loneliness being one.

I’ve felt completely consumed and overwhelmed by it, at points. I have let it take over me and reduce me into a sobbing mess. I’ve let it bite at my ankles, even when I’m surrounded by swarms of people in a busy theatre. I have sat on the edge of my bed in a hotel room, staring into space, convinced that I’d never feel different ever again, that I was going to feel like that forever. I’ve felt cast aside, even when I’m being included. I have actually not wanted to FaceTime or chat to people from home at times, for the sheer fact that it’ll make me feel even more out of place in the alien country that I’ve had to reside in at the time, with all the fear of missing out on what people are getting up to at home, without me. I’ve felt misunderstood, that I didn’t belong and that nobody liked me. To sum it up, I’ve felt pretty rubbish at times. I’ve found that I’ve been living in a ‘bubble’ all year. Everything inside that ‘bubble’ is extreme and seems more important. The stakes feel higher and emotions are heightened, due to there being less of a concept of what is happening back home, in our ordinary lives.

Existing in that bubble got awful lonely sometimes, even when I was surrounded by wonderful people.

I got homesick. I was meant to spend 2 weeks in Thailand. I spent 24 hours in Bangkok and flew home… the first time I’ve ever actually worried about my sanity was in my hotel room, as I scoured SkyScanner for a cheap flight outta there. I will throw my hands up and confess that I have struggled and I realised that I’m not as invincible as I thought I was.

One morning I spilt yoghurt on my jumper at breakfast and then couldn’t stop crying… how sad’s that?

As always, upon reflection, I try to seek a positive in such tough situations, a resolution. They say that people go away to ‘find themselves’. I never intended on taking this job solely to find ‘myself’. In fact, I have a pretty strong sense of who I am. I always have. I’ve endured processes where people have made me question that or have tried to ‘crack’ me or have led me to feel peer pressured into being what people want me to be/what people believe our industry wants.

And each time somebody or something has tried to affect me in such a way, I’ve come up for air knowing that I’m still the same person I was at 16, at 17, at 18 and so on. Just a bit older and bit wiser. You know, if I’ve found anything this year, I’ve found even more freedom in being just… well, me. That’s a huge positive I reckon.

 

15387627_10154045852685849_1345814132_o

Manly Beach, Sydney.

But what this year has massively highlighted to me is my absolute adoration for people.
I am completely at the hands of the people I love.
Consumed by my relationships. My family, my friends.

You know, I’ve always loved the song People from Funny Girl. I adore the simplicity of it: the sweet little melody and the honest lyric. Obviously I’m a stagey little shit and a HUGE Barbra fan (what? Did I not say already?), but I think she sounds just glorious singing it. I think it’s one of her best. However I feel like I’ve only, this year, come to understand the lyric for what it truly means.

‘People, people who need people, are the luckiest people in the world’

If you were to ask me ‘What is the biggest thing you’ve learnt this year?’, I would respond with:

I need people.

The moment I booked my emergency flight home from Bangkok, back in May, I felt a huge wave of relief. I was just a 6 hour sleep and a 13 hour flight away from my people. I felt like I could breathe again.

I went home for two whole weeks and drunk those people in and I have never felt anything like it.
I’ll never forget how wonderful it felt. I’ll never forget how excited I was to be there with my friends in London – so much so, it started to get on their nerves (I admit, when I get like that, it can be a bit… overbearing?).

I’ve been lucky enough that I’ve made some FANTASTIC friendships during my time away too (I bloody love each and every one of you, you know who you are!) but there’s also nothing quite like being around the people who know you, inside out, back to front with the tag sticking out. Everything just kinda slots back into place, as if you’ve never left. Pure, unadulterated JOY.

I’ve gained a lot of perspective this year, as I mentioned in a previous post, and my love for people, and realising that people can make such a huge difference, is one big contributor to that.

Reflecting:

  • I know that I’d have adored my trip to Thailand, if I’d only shared it with somebody.
  • I’ve endured heartbreak and grief this year, like no other year before, and I am absolutely certain that I would not have dealt with it in the correct way if I didn’t have my family and friends surrounding me, talking me down and working things out.
  • I was recently made aware that a piece of advice that I’d given to somebody, something that I maybe didn’t think was all that relevant to me, has made a little difference. That one baffles me, how can I be qualified enough to give somebody advice when I’m still learning myself? But it helped regardless, and that’s pretty cool.
  • My Mam and Nan flew out to see the show in Singapore and if I’m honest, that’s when I realised that if I broke my leg the next day and couldn’t do the rest of the run, it wouldn’t matter. They got to see me in the show, on the other side of the world. My Mam and my 83 year old Nan. Being a part of a show that I’ve always dreamed of being a part of is one thing. Being able to share that with the people I love most, that’s priceless. Bloody GLORIOUS.15356073_10154045854225849_1418219579_n-1

These all serve as evidence in the case of ‘I Need People in Order to Exist’.

Thank you to my People! I love you!

People saved me from my Lonely Bubble, so I’m gonna continue to have faith in people whole heartedly.

Except maybe Donald Trump… but that’s a whole new ball game…

The World Loves Pigeon-holes and I Don’t Know Why: I understand this title is weird.

This is the first post that I’m about to ‘free write’, so far in my new blogging expedition. From this point onward, I have no agenda. I have no planned analogy to share, or story to tell about a lesson I have recently learnt. I’m taking a leaf from my own ‘pro-creativity’ book. I’m taking a curious step out of my comfort zone and I’m just going to willingly write and share what comes out, right now, in this moment.

Today, we lost an icon. David Bowie.

icon
ˈʌɪkɒn,-k(ə)n/
a person or thing regarded as a representative symbol or as worthy of veneration
David Bowie was an icon. He was a singer. He was a songwriter. He was a musician. He was a record producer. He was a painter. He was an actor. He was, in the words of British Vogue, ‘unarguably fashion’s king of self-invention’. He was, creatively, pretty much everything. He broke down walls. He took the things that made him stand out for being ‘different’ and, instead of disguising them to fit in with the times, he made them more obvious. He embraced them, he highlighted them and he exaggerated them.
Now I won’t babble on about the legend that is Bowie much longer, but he is a damn fine example of how greatness can be achieved creatively. What does it take to be like that, to be like Bowie? Do many of us have incredible ideas buried deep inside our brains that we personally think are completely stupid, but could actually turn out to be a stroke of genius? How will we ever know if we don’t test the water? Is the key to creative success a combination of an initial idea and… plain old bravery?
On a personal level, I don’t think my ideas are good enough. I compare my ideas to those of others far too often. I am my own worst critic. Majority of the time though, I am my ONLY critic. My opinion is one single opinion. There are many times that I have disagreed and debated over various films, pieces of theatre and books with my peers. So who am I to say that my own idea is bullshit, when somebody else out there could think ‘Now, hang on. I think we’ve got something here’? Somebody else could have a different opinion to my own. Is that so daunting? If so, then why is it so daunting? Creative ideas are only developed and constructed further when they are opened out to a wider audience, when they are put up on their feet, when fresh eyes are unleashed upon them. Why wouldn’t we want to develop our ideas?
I’m currently burying my head in various books, one being Creativity, Inc. by Ed Catmull, the President of Pixar Animation and Disney Animation. A stand out quote, so far:
“Don’t wait for things to be perfect before you share them with others. Show early and show often. It’ll be pretty when we get there, but it won’t be pretty along the way.”
What I take from this is that I need to man the F up, take that idea that I think people will think is stupid and put it out there. Invest my time into it, inject some love into it and feed it. Give it a life outside of my own head.
Another thing. What I feel David Bowie did, over the course of his life, was to not give people an easy job when it came to defining him creatively. One minute he was trying to make it as a popstar, the next he was inventing the incomparable alter-ego Ziggy Stardust and after that, he was busy carving himself a successful film career… just a couple of MANY creative routes he decided to go down. People were all ‘oh David Bowie, he’s a singer. Oh shit, no he’s an actor. Oh shit, no… he’s… what is he?’.
He just existed. He existed and he produced truly original works of art. He, himself, was a work of art. One of a kind.
Today, we are living in a world that likes to label and pigeon hole people. Stereotypes are rife. They are absolutely EVERYWHERE. In the media, in the industries we work in, in the towns we live in.
Creative pigeon-holing is all round, to put it politely… a bit poo. Creative people are usually free spirited, always jumping at opportunities to try absolutely EVERYTHING. So any form of restriction is frustrating, being labelled for being a particular kind of anything can be a tiny annoyance in what is an all-round, fantastic life we may be leading. It may not be even that we want to go down that ‘different from the norm’ route, right here and right now, THIS INSTANT… but it would be just nice to know that the option IS there to have the opportunity to try something new, when we do fancy it.
The truth is… sitting around being bitter and complaining about it will not solve anything. You can post all of the Facebook statuses/tweets in the world about how frustrating it is to be stuck in a pigeon-hole… but that’s not actually making a smart move towards identifying how to, perhaps, solve the problem. So, how do we get around this pigeon-hole bad boy?
We have to get off our asses and create some shit for ourselves.
The one thing people can’t restrict you from doing is creating in your own time. Let’s face it, if you want something badly, you will, more times than enough, do anything to get it.
e.g. I will save up a month’s wages for those Kurt Geiger thigh high boots and I will be living off beans on toast for the foreseeable, as a result.
Beans on toast.
Why should our creative lives be any different? (This is the part where you ignore the beans on toast bit and pretend you never ever read it. ‘Twas only added for dramatic effect. They do look good though.)
Speaking from the area of my chosen career path:
You want to be in a straight play and can’t get seen? Write your own. Or investigate new writers who need people to read through bits and bobs. Experience is everything, if anything!
You want to play a villain when you haven’t a bad bone in your body? Watch all of the Stephen King, Alfred Hitchcock, Tarentino you need. Read all of the books. Learn those evil monologues.
Can’t find the particular colour scarf you want? Learn how to knit and knit one yourself.
You want to be in a rock band but you sing like Julie Andrews? Broaden your musical vocabulary. Sing Paramore in the shower. Blast Royal Blood in the car. Listen to the greats, starting with David Bowie.
Be Bowie in a world full of contoured faces and man buns and all that in-season rubbish.
Be one step ahead of the game. Be a creative mastermind and play people at their own game.
Earn the right to be looked at in different light, prove your worth. The key to success is hard work and determination, and all that bollocks.
EDUCATE YOURSELF. PREPARE YOURSELF. SURPRISE YOURSELF. SHOW YOURSELF OFF.
Lord above, I’ve surprised myself. I didn’t know I’d end up here at the end of a free-write…

Avenues: A New Analogy

I have a new analogy.

It’s something I’ve been thinking about for some time now, even going so far as to discuss it with a few friends (I’m finding it a lot easier nowadays to openly discuss thoughts and ideas with people I trust, which hopefully means that my confidence in my creative ability is growing – mini pat on the back, I’m my own worst critic).

Last year, I toured the UK with ‘The Sound of Music’. From January to September 2015 I lived out of my Ford Fiesta, visited multiple cities, clocked up around 6,000 miles, 3 speeding tickets (no excuses but when long distance journeys become a vital part of your life, for a long period of time, they start to get tedious and lead to distraction. I guess that counts as an excuse… guilty), lived away from a stable base for 9 months and as a result, somehow along the way, I actually grew up a little bit. I started to see multiple things with a new perspective.

Now, over the course of the tour, I found myself with a lot of spare time on my hands. I often wished that I had a crazy hobby or the motivation to read To Kill A Mockingbird (I will get through it one day). Along with the excessive spare time I seemed to have, there were the present stresses of ‘What will be my next job?’, ‘When will my next job come along?’ and of course, the most haunting question of them all, ‘Will I even work again? EVER?’. Oh, us actors do worry. Worry and fear, if not ALL of the time then at the very least SOME of the time, latch on to our souls. But that’s a whole other subject, so we’ll leave that until another time…

So. Spare time, twiddling thumbs PLUS no motivation to do anything remotely productive PLUS stressing about my future in my life’s vocation/my main money earner/my one true love of life. Although I LOVED my job, more than anything – I never thought I’d ever come anywhere close to being in The Sound of Music in my lifetime, I felt completely stuck. And if I’m truly honest, it made me a little bit miserable and left me feeling a bit guilty. I beat myself up for acting ungrateful, to no-one else but myself, even though I was really grateful for the opportunities I’d been given. It was like one big internal boxing match, fighting 50 rounds in my head. But, before long, I had a cracking amount of Maria shows under my belt, I ticked one huge box off my ‘bucket list’ and the tour came to a close. Funemployment (it won’t be long before that word makes it’s way into the Oxford dictionary, mark my words) approached once more and I had nothing but afternoons on the sofa with the Friends box-set planned. Or so I thought.

Because that’s when my new analogy popped into my messy, boxing match of a brain.

I did a degree in Musical Theatre. Musical Theatre has been my life for as long as I can remember. I bloody adore Musical Theatre. For all of those reasons, Musical Theatre is what I chose to do professionally, to earn a living. However, Musical Theatre is also extremely competitive. It brings a lot of incredible highs AND some awful, heartbreaking lows – dealing with rejection is a massive part of the job, more to come on that one at a later date!

Nevertheless, Musical Theatre is my… HIGH STREET.
(For the American folk out there, I think it’s what would be called the Main Street? Sorry if I’m being completely ignorant, don’t hate me. I will learn.)
My lovely HIGH STREET. I’m going to say it has a pretty decent Tesco Express, probably a pharmacy, a post office, a local bakery and, for now, a tea/coffee shop. I’m going to say that the pizza takeaway shop recently closed down in a bid to promote a healthier lifestyle. I hope I haven’t lost you yet, I’m getting to the point… I promise.

This HIGH STREET is the centre of my town, town being metaphorical for my life. It brings home the literal bacon (lord, I love bacon), Doctor Theatre works there (he’s pretty great), it connects me with a lot of my favourite people, it brings home the dough ££ and it gives me ENERGY, LIFE, VITALITY etc etc…

Here comes the fun part. We’ve established that MT is a pretty prominent part of my life. But what happens when Funemployment pays a visit and MT is suddenly put ‘on hold’? That’s where my AVENUES come in to play…

A town cannot be a town with only a High Street to it’s name, surely. I decided sitting on my ass watching Friends was simply not an option anymore, and I started to explore the possibility of actually using my free time productively. FINALLY. It occurred to me that, although it is my one true passion and my professional occupation, Musical Theatre didn’t have to be the ‘be all end all’ of my life. Giving everything a go and training to be as diverse and versatile as possible had both been two of my favourite personality traits growing up… I thought it was about time they made a powerful re-entrance into my life.

To sum things up quickly, I revived the following non-Musical Theatre AVENUES:

AVENUE 1: Songwriting. My love for music has always been a huge part of my life and I had written songs in previous years. Within the first few weeks of re-earthing this avenue, I had 5 new songs nailed. WINNER.

AVENUE 2: My friends. Now, friendship is a never-ending blessing but 9 months on the road meant that I’d not been able to catch friends in shows, I missed going out for tea and I simply had not set eyes on some friends, face to face, since before I left London with my life packed into a car. Since giving myself a kick up the arse, I’ve had meals out galore, watched amazing friends being incredible onstage (ok, maybe that one’s a bit stagey) and I’ve squeezed the majority of them regularly in person. Not being hangry and plagued with FOMO (the fear of missing out – FYI), the feeling of pride and free hugs – all excellent scenarios to be in, I think you’ll agree.

AVENUE 3: My family. I’ve actually had the time to sit on my sofa, cuddle my dog and create mess in my home, resulting in my mam and I arguing because we literally are THE SAME PERSON (we love an argument, we do). It’s the little things, ey?

AVENUE 4: Learning the guitar. Growing up, I attempted to learn the guitar, the alto saxophone and the piano. I failed to stick to every single one of them, something I really do regret. I can play piano well enough to write chords for my songs, I can bash out ‘Sir Duke’ on the sax if I’m asked to (please don’t ask me to), but guitar is always something that’s frightened me. Up until now. I bought a new guitar for my birthday and I’LL BE DAMNED if I don’t learn to play it this year. The Beatles – Blackbird: I’M COMING FOR YOU.

Those are just a few examples. I don’t want to bore you with many more but I’m also getting back into reading, I’m working on an idea for a theatrical piece and I’ve created a blog (that I hope you’re all still going to read after this crazy b*tch post).

These avenues link to my High Street, to create the wonderful town that is MY LIFE.

What I’m trying to get at is that I am a creative person and sometimes we need more than one thing to help us feel fulfilled. Broadening our horizons and venturing out of our comfort zones can create opportunities that we never thought were even possible, let alone that we felt we deserved.

Even in Musical Theatre, to this day, I am still learning. I am hungry to learn more, anything that can help me to improve on my craft. That is my area of expertise, and still I am not satisfied. I must keep learning, I NEED to keep learning. The moment I feel I have stopped learning will be the moment I quit. Which will probably be never.

I don’t profess to be an expert in any of my other avenues. As a matter of fact, I feel I am merely peasant level at the creative ones. So I am now jumping at the chance to start from the bottom. I have a chance to learn how to become respectable at something relatively new to me, that is not my area of expertise… and I absolutely deserve it. I have the chance to give each avenue a freaking STREET PARTY, with bunting, the lot. I have a chance to grow my town. I’m going to continue to lay new roads, build new houses, maybe even a hotel…

Stop referencing Monopoly now, Jess.

 

In short, my new analogy:

Your life is your town, your professional career is your High Street and your Avenues are everything that surrounds it. The avenues are the life and soul… YOU. Build a town, make a football team and I’ll create a friendly league… it’d be mint to have you.

 

Possibly took that last sentence that step too far. Classic Jess.